Two of Kara’s poems, “Henny Penny’s Trouble with Tree Nut” and “No Duchess of Villars” appear in  Bared, an anthology that collects the work of 170 contemporary women poets and artists. Exploring the gendered narratives that clothe and fashion the body, gender subversion, the traditional male gaze, feminist theories, and more, the artists and poets collected in Bared resist given narratives about the breast and bra by boldly presenting alternatives in written and visual art. The poetry and art of Bared consider commodification, training bras, mammograms, bra factories, biopsies, bra-fit, pencil tests, cancer, mastectomies, sexuality, implants, nursing, representation, and so much more, highlighting the importance of women’s bodies now and in the future. The cover art is by Wanda Ewing, University of Nebraska at Omaha’s tenured professor who was diagnosed with cancer in May 2013 and died a few short months later in December. She was only 43. A portion of the proceeds from Bared will be donated to the University of Nebraska Foundation Wanda Ewing Memorial Scholarship Fund.During select events, a portion of proceeds will also go to specified organizations that support women.

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